



Mahlermania!
The Titan Awakes
all works performed without pause
MAHLER I. “Wenn mein Schatz Hochzeit macht” (When my beloved has her wedding day)
from Lieder eines fahren gesellen (Songs of a Wayfarer)
*Adeliia Faizullina (b. 1988) Rainbow
MAHLER II. “Ging heut Morgen ubers Feld” (I went this morning over the field)
from Lieder eines fahren gesellen (Songs of a Wayfarer)
MAHLER III. “Ich hab’ ein glühend Messer” (I have a gleaming knife)
from Lieder eines fahren gesellen (Songs of a Wayfarer)
MAHLER Movement III. “Fierlich und gemessen, ohne zu schleppen” (Fine and measured, without dragging)
from Symphony No. 1 in D Major, “Titan”
MAHLER “Die zwei blauen Augen von meinem Schatz” (The Blue Eyes of my Beloved)
from Lieder eines fahren gesellen (Songs of a Wayfarer)
MAHLER Movement I. Langsam, schleppend Immer sehr gemächlich
from Symphony No. 1 in D Major, “Titan” -
*arrangement commissioned and premiered by Mahlermania! Original work commissioned by Jacob Schnitzer and Density512, Austin, TX

Silent Films Out Loud
Taking on this season of summer blockbusters with a “Buster” of their own, Silent Films Out Loud returns for a third time to pair the original scores of Austin composers Jackie Myers, David Biller and Dave Madden with the short films of Buster Keaton. The pioneering pictures include 1920’s Neighbors and two releases from 1921 - The Goat and The High Sign - enhanced by a live orchestra to accentuate each action, sync with every stunt, and get in on each gag.

Zach Morgan, Recital at The University of Texas at Austin
JACOB SCHNITZER Day of Sounding | יוםתרוה for solo horn and resonating surface
commissioned and performed by Zach Morgan
world premiere

Boston University Ad-hoc Orchestra (M.M. Recital #1)
LUDWIG VAN BEETHOVEN Symphony No. 5 in C minor, Op. 67


Brass Meeting 2019 at The Royal Conservatory of Music of Granada (Spain)
JACOB SCHNITZER Fanfare for the Youth for brass ensemble
Dr. Javier Miranda Medina, conductor

Lunchtime Concert: Boston University Symphony Orchestra
JEAN SIBELIUS Finlandia, Op. 26